Eyddos Sakura Monodechado
Jumpsuit made of linen mesh 100% linen. It features an invisible zipper at the center of the neckline for access and side pockets at hip level. The sleeves are long and wide, as is the lower part.
Alejandra Mizrahi, 2024. Aura Exhibition.
BIO - Alejandra Mizrahi
Alejandra Mizrahi was born in 1981 in Tucumán, Argentina.
Her work explores the structural foundations of textiles and the dissemination of their techniques. Through these principles, she creates sculptures that highlight the craftsmanship and three-dimensional nature of textiles, defying gravity by replacing the soft structure of threads and fabrics. Her practice incorporates a variety of techniques, including crochet, macramé, felting, trimmings, embroidery, lace, knitting, weaving, natural dyeing, and sewing.
She has held solo exhibitions, participated in numerous group shows, and her work is part of the collections of the Museo de Arte Moderno de Buenos Aires, the Palais de Glace, and private collections.
She lives and works in Tucumán.
EXHIBITION AURA
Every creation is born from movement—not just physical movement as a simple action, but movement as a vital impulse: the urgency to generate something that gives meaning to our existence and understanding of the world. To create is to set in motion that network of thoughts and emotions, that human complexity in constant relationship with the environment—a process that involves giving, receiving, and returning. Aura and Negro emerge as symbiotic exhibitions that navigate this duality between light and darkness, between the visible and the invisible.
The concept of “aura” not only refers to the energetic field surrounding human beings but also to that illusion of authenticity that, according to Walter Benjamin, is lost in the reproduction of artworks. Aura is a timeless exhibition and, like everything we create, it is genderless. It reveals the continuous invisible thread between music and visual arts. Artists from around the world reflect on freedom, respect, and community in an increasingly chaotic global environment.
It is true: music is in our nature, and movement —that act of perpetual becoming— is what defines us. But in the context of Aura, the synesthesia of movement and color goes beyond mere sensory translation. Here, music does not just connect —it transforms, giving meaning to art as an act that is not only perceptual but also existential.
In this infinite network, the act of creation is not just individual; it is collective —in a deep, challenging, and therefore radical sense. Creation becomes a form of resistance. An act that transcends the limits of the known, is luminous, and all-connecting —just as it happens in Eyddos.
