Eyddos We "Formas Orgánicas"
Overall made of canvas, 100% cotton. It has a contrasting front zip fastening. The sleeves and the bottom part are shorts. The fit is straight, creating a worker silhouette, wide and comfortable so it can join the body movement.
Inés Raiteri, 2022. Negro Exhibition.
BIO - Inés Raiteri
Inés Raiteri was born in 1963 in Mar del Plata, Argentina.
Her work spans painting, embroidery, patchwork, and installations. Driven by her passion for architecture and education, she explores polyphonic geometries and unexpected forms that offer a fresh perspective on the surrounding environment, as if unveiling the hidden laws within urban landscapes.
Her work is part of national and international collections.
She lives and works in Buenos Aires.
EXHIBITION NEGRO
Every creation arises from movement, but also from emptiness —from the stillness found in silence and contemplation. Black is not simply the antithesis of light; it is the expansion of color’s limits, the transmutation of what we know into the very absence of light. This exhibition responds to a critical need to redefine our understanding of presence and absence, visibility and concealment.
Black is not the absence of color but the accumulation of all colors —a totality that disintegrates in its own contradiction. This interplay of opposites becomes a reflection on the transience of ideas and identities in the contemporary context. As Adorno said: art is not only reflection, it must also be resistance. Negro is that space where resistance occurs not in form, but in perception itself, in the reconfiguration of what we are allowed to see.
The contrast with Aura is evident, but it is not about opposition—both exhibitions are two sides of the same coin, a mirror that invites reflection on our dependence on binary thinking. The absolute, like the total, is unsustainable. Eyddos does nothing but propose the constant transformation of what we understand as “complete,” of what we understand as “being.”
