Eyddos We Black Waves
Overall made of canvas 100% cotton. It has a tone-on-tone front zip fastening. The sleeves are short and the pants has a conventional lenght. The fit is straight, creating a wide and comfortable worker silhouette that allows for free movement.
Benicio Mutti, 2022. Cities - José Ignacio Exhibition
EXHIBITION CITIES
Each city is a microcosm that reflects the tensions between the particular and the universal, between the individual and the collective. Cities, with their own cultural essence, become spaces of resistance against globalization. In a world where borders are blurring, cities remain territories of dispute, intersections of multiple forms of identity.
Traveling the world in search of connection is a deeply human exercise— a conscious act of unraveling the complexities of diversity. In this accelerated process of homogenization and digital nomadism, speed becomes an illusion, while real value lies in the ability to connect, to understand the essence of each place, and to question imposed paradigms.
At Eyddos, we embrace cultural interconnection not as an act of reconciliation, but as a disruptive force, approaching established structures. We choose to embrace differences as a way to challenge our own cultural, social, and territorial truths. Art should not only dress our bodies; it must be the music that defies imposed rhythms, the language that refuses to conform to pre-existing norms.
EXHIBITION CITIES: JOSÉ IGNACIO
José Ignacio, a seaside paradise far from the clamor of the world, yet not without its own contradictions. This Uruguayan coastal refuge becomes a microcosm of what Eyddos represents —the coexistence of high and low within a natural setting.
“…I feel that on that day, the images and characters flowed, like the sea that was so close.” – Benicio Mutti Spinetta, painter, musician, and actor (2023).
José Ignacio bore witness to a unique experience—a creative laboratory where artists from different disciplines challenged the conventions of action art. This ephemeral yet intense space embodied the idea that art is not just something to be seen but something to be lived, felt, and built collectively. During this experience, José Ignacio became a field of experimentation, where the premise was that art should transcend its conventional form and transform into a social and participatory act.
