Eyddos Sol Maximalism Pop
Overall made of similar to silk, 100% poly. It has a contrasting front zip fastening, and pockets on both sides at hip height. It has long sleeves and adjustable cuffs. The bottom part has a conventional length. The fit is regular and creates a silhouette that highlights the body shape.
Stoppani & Legrave, 2019. Love Exhibition.
BIO - Stoppani & Legavre
Juan Stoppani (1935-2022) was born in Argentina.
Trained as an architect, he was a key figure at the Instituto Di Tella and won the Braque Prize in 1965. His work, characterized by vibrant and festive iconography, broke away from the solemnity of previous aesthetic movements.
Jean Yves Legrave (1945) was born in France.
A theater director, set designer, and costume designer, he collaborated with Stoppani on projects that merged art, fashion, and scenography. Together, they worked with fashion icons such as Yves Saint Laurent, Chanel, and Emanuel Ungaro.
They met in Paris in 1970 during the production of Eva Perón by Copi and remained inseparable ever since. From 2012 onward, they lived and worked together in La Boca, Buenos Aires.
Their artistic synergy continues to resonate in each of their works.
EXHIBITION LOVE
Eyddos is not just a contemporary art project; it is a manifesto of radical love, transformation, and reconfiguration. In a world where art has become a commodity, this project embraces the challenge of being more than that—it is a political act, a profound desire for social, identity-based, and cultural transformation.
We believe in art as a praxis that shapes the present—an art that is not limited to aesthetics but engages in dialogue and is nourished by the LGTBIQ+, feminist, and anti-racist movements. These are not categories that arise by chance but exist at the intersection of social struggle, the questioning of the body, and resistance to globalization.
At Eyddos, people do not simply inhabit the works; they become part of a collective creation that transforms the personal into the political. The artwork is an open process, a loving gesture that redefines the norms of existence, supporting the identity of those who refuse to conform to what is given.
This desire for transformation becomes an amulet, a talisman against the homogenization of bodies and cultures, celebrating all forms of being and existing in the world. An Eyddos is, then, a second skin —one that does not conform to established standards but is instead a personal choice, upheld by a web of love.
