
BIO - Guido Ignatti
Guido Ignatti was born in 1981 in Buenos Aires, Argentina.
His artistic practice explores restriction and suspension. To reveal what a body can do, he binds it; to showcase the potential of abstract painting, he reduces it to its bare minimum. His work investigates bodies subjected to the working device, queer eroticism, and identity shaped by politicized bodies.
He founded Sauna, an art criticism magazine; Proyecto Bonzo —an exhibition platform set in houses slated for demolition in Buenos Aires—, and Demi-Monde, a roaming nightclub.
His work is part of national and international collections, many of which focus on Latin American abstraction.
He lives and works between Buenos Aires and Madrid.


EXHIBITION CITIES
Qatar, a space suspended between the ancient and the contemporary, emerges as a stage of tensions between tradition and modernity. This Gulf nation is a landscape where the struggle for identity takes shape in its futuristic architecture and cultural contrasts. Eyddos experienced this duality first hand —both embracing and questioning it— as a synthesis of the search for the future weighed against the gravity of the past.
“…With the simple act of grabbing a handful of sand, one is already altering the desert…” – Fabián Casas, Érase una vez en Qatar (2022)
Qatar is a country reinventing itself at an astonishing pace, forging a new narrative through its rapid transformation. This "oasis" in the middle of the desert strives not only to be a symbol of modernity but also an allegory of the struggle between permanence and change —where every step is a reconfiguration of what was and what is yet to come.


