Eyddos Hilma Criaturas Colosal
Overall made of poplin, 98% cotton 2%spandex. It has a contrasting front zip fastening. The sleeves are long, and the bottom has a conventional length. The fit is regular, noticeably accentuating the waist, while creating a wider silhouette around the hips.
Carrie Bencardino, 2024. Aura Exhibition.
BIO - Carrie Bencardino
Carrie Bencardino was born in 1993 in Buenos Aires, Argentina.
Their painting draws from a personal narrative to unfold a broader story about nightlife, spanning from the queer scene to the underground metal movement in Buenos Aires. Speaking in the first person, they portray the nocturnal world Carrie inhabits. In their performative work, they involve others in the creative process, recreating moments of collective energy and capturing the essence of these spaces through simple yet powerful gestures.
They have participated in residencies, workshops, and national awards and have exhibited in Argentina, Mexico, Chicago, and Miami.
They live and work in Buenos Aires.
EXHIBITION AURA
Every creation is born from movement—not just physical movement as a simple action, but movement as a vital impulse: the urgency to generate something that gives meaning to our existence and understanding of the world. To create is to set in motion that network of thoughts and emotions, that human complexity in constant relationship with the environment—a process that involves giving, receiving, and returning. Aura and Negro emerge as symbiotic exhibitions that navigate this duality between light and darkness, between the visible and the invisible.
The concept of “aura” not only refers to the energetic field surrounding human beings but also to that illusion of authenticity that, according to Walter Benjamin, is lost in the reproduction of artworks. Aura is a timeless exhibition and, like everything we create, it is genderless. It reveals the continuous invisible thread between music and visual arts. Artists from around the world reflect on freedom, respect, and community in an increasingly chaotic global environment.
It is true: music is in our nature, and movement —that act of perpetual becoming— is what defines us. But in the context of Aura, the synesthesia of movement and color goes beyond mere sensory translation. Here, music does not just connect —it transforms, giving meaning to art as an act that is not only perceptual but also existential.
In this infinite network, the act of creation is not just individual; it is collective —in a deep, challenging, and therefore radical sense. Creation becomes a form of resistance. An act that transcends the limits of the known, is luminous, and all-connecting —just as it happens in Eyddos.
